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Rush concert review from the Other Paper
Sep. 15th, 2007 12:45 pmI would just post a link, however they don't put their reviews on line. (not friends-locked for my friends who actually have a life without livejournal!)
Milosevic. Saddam. And now Rush.
From Sept 6, 2007 edition of The Other Paper, by John Petric
During Rush's well-attended Sunday night show at Germain Amphitheater, the Canadian super trio violated good taste on every level: gauche, aimless song architecture that stands as the sonic equivalent of Gladys Presley's dream outhouse; jejune lyrics designed to appear wise to the foolish and deep to the shallow; and ridiculous artwork from its album covers and videos (flashing on three large screens behind the band) that recalled Hitler's surrealist period as an unemployed painter. ( Read more... )
There's also a picture of the three (although it does not actually appear to be from the columbus show, interestingly enough) with the caption "A negative, pukey downer Rush
( for contrast, here's the review from <u>The Columbus Dispatch</u> )
Milosevic. Saddam. And now Rush.
From Sept 6, 2007 edition of The Other Paper, by John Petric
During Rush's well-attended Sunday night show at Germain Amphitheater, the Canadian super trio violated good taste on every level: gauche, aimless song architecture that stands as the sonic equivalent of Gladys Presley's dream outhouse; jejune lyrics designed to appear wise to the foolish and deep to the shallow; and ridiculous artwork from its album covers and videos (flashing on three large screens behind the band) that recalled Hitler's surrealist period as an unemployed painter. ( Read more... )
There's also a picture of the three (although it does not actually appear to be from the columbus show, interestingly enough) with the caption "A negative, pukey downer Rush
( for contrast, here's the review from <u>The Columbus Dispatch</u> )
